Classroom Songs Archives - Donna & Andy

Royal Recorders

Andy Duinker — Wed, 01 Apr 2026 18:42:01 +0000

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Royal Recorders

by Donna Rhodenizer

Student Book 1

Royal Recorders Student Book 1 is part of a motivational recorder teaching method created for students (grades 4-6) learning to play recorder in elementary school music programs, private music classes, or homeschools. Students are excited and motivated to play the recorder when teachers use the Royal Recorders teaching method.

The Royal Recorders teaching method is fantastic for beginners of all ages and comprehensive enough to use for a two-to-three-year recorder program, with upper levels that challenge advanced players.

Beginning recorder players enjoy playing the Royal Recorders songs that are created to maximize success from the very beginning of the program. There are seven Knight levels in Book 1 presenting new notes and musical elements in 3-4 songs at each level. Songs are simple, musical and interesting. Students play each short song, ensuring that new notes are thoroughly learned before moving on to new musical elements. Students are motivated as each small success is celebrated. These small steps create a strong foundation and promote rapid achievement and improvement.

Accompaniment tracks in a variety of styles (available as downloads) provide support and musical interest, motivating students to play songs multiple times. Accompaniment tracks are offered with a practice speed, supporting the early stages of the students’ efforts. A performance speed track is also provided for performances or as an added challenge in regular class activities.

Song challenges for Levels 1-7 (22 songs)
Explanations for each new musical element presented
Practicing tips
Composing opportunities (at three different Knight levels)
Note-naming Challenges (practice pages)
Care and maintenance of the recorder
Fingering chart
Completion certificate

Songs Include:

(* Original songs by Donna Rhodenizer)

G and A All Day *
He B G Bees *
Baa, Baa, Baa *
One, Two, Skip a Few*
Big Bad G *
Flamenco Flair *
Up and Down *
BAG of Surprises *
Fais dodo - French Folk Song
Over Easy *
Blues-E *
Skin and Bones - Camp Song
Go for a Stroll *
Old MacDonald – Traditional
There's a Hole in My Bucket – Traditional
Lady of the Red Castle *
À la claire fontaine - French Folk Song
Jolly Minstrels *
Day is Done - Camp Song
Cabbage Soup *
Ode to Joy – Beethoven
Oh When the Saints – Traditional

First Song

- Student Book 1

See more playing videos of songs from Student Book 1 below!

Student Book 2

Royal Recorders Student Book 2 is part of a motivational teaching method created for students (grades 4-6) learning to play recorder in elementary school music programs, private music classes, or homeschools. Students are excited and motivated to play recorder when playing songs in the Royal Recorders teaching method.

Students with foundational recorder playing skills (e.g. having completed Royal Recorders Book 1) will enjoy the song challenges presented in Student Book 2. Six Knight levels provide a total of 23 songs, adding new notes and musical elements in a sequential progression. The sequential introduction of skills and step-by step presentation of new notes and theory promote rapid progress and improvement until a very high level of playing proficiency is achieved.

Songs include well-known folk and traditional tunes, classical works, and Donna Rhodenizer’s original songs. Longer songs, more complex forms, plus the addition of stylistic elements such as phrasing and dynamics, add to the musicality of the Book 2 repertoire. A wider range of notes expands the complexity as well as the variety of songs offered. At the conclusion of all 13 Royal Recorders levels, students should be able to play simple music written in C, F, G, D and A major and their relative minor keys. Their foundational understanding of music theory and reading notes also makes them well prepared as they move on to band programs.

Students have two opportunities to create an original composition. Applying theory they have learned and using their playing skills to play an original composition creates ownership and a real sense of purpose within the context of learning to play the recorder.

Accompaniment tracks in a variety of styles (available as downloads) provide support and musical interest, motivating students to play songs multiple times. Two tracks are provided: a practice speed, supporting the early stages of playing, and a performance speed for concerts or as an added challenge in regular class activities. The accompaniment tracks are particularly useful at this advanced level when students are providing complex and musical contributions at community events and concerts.

Provides continued development for second-year students and more advanced players

Song challenges for levels 8-13 (23 songs)
Explanations for each new element presented
Practice tips
Composing opportunities (at two different Knight levels)
Note-naming Challenges (practice pages)
Recorder Care and Maintenance
Fingering chart
Completion certificate

Songs Include:

(* Original songs by Donna Rhodenizer)

Moravian Folk Tune - Folk song
Still Waters *
Twilight *
Morning - Grieg
Birch Tree (duet) - Tchaikovsky
Sharp as a Tack *
English Melody - Kingsfold
Merry Branle - Arbeau
C Major Scale - Baroque style
Scarborough Fair - English ballad
My Paddle - Embers McGee
What Shall We Do with the Drunken Sailor? - Trad. Sea Shanty
Music Alone Shall Live (canon) - Folk song
Un Canadien Errant (duet) - Gérin-Lajoie/arr. Rhodenizer
Swing Low, Sweet Chariot - Spiritual
Let’s Catch a Rooster (canon) - Trad.
Donna’s Aire *
Scotland the Brave - Trad.
Down by the Sally Gardens - Folk song
Ash Grove - Trad.
Celtic Winter *
Early One Morning - Folk song
Little Burnt Potato - Trad./Boyd

First Song

- Student Book 2

See more playing videos of songs from Student Book 2 below!

Teacher Guide

Teacher Guide includes - Teaching strategies to prepare and practice each song - 6 lesson plans for introducing recorder to your students - How to use motivational Class Castles and Knight Certificates - Tables for tracking student progress - MP3 accompaniment tracks information chart (intros, outros, style, speed, etc.) - Chart with songs listed alphabetically.

Royal Recorders Teacher Guide supports teachers as they use the Royal Recorders motivational recorder teaching method created for students (grades 4-6) learning to play recorder in elementary school music programs, private music classes, or homeschools. Students are excited and motivated to play the recorder when teachers use the Royal Recorders teaching method.

The Royal Recorders teaching method is fantastic for beginners of all ages and comprehensive enough to use for a two-to-three-year recorder program, with upper levels that challenge advanced players. Students are engaged and eager, working their way through 13 Knight levels of the Royal Recorders program, learning 45 songs along the way. They also compose five of their own compositions using the notes and theory they have learned.

Comprehensive Teaching Method
Teachers are supported as they teach recorder with this comprehensive teaching method. The step-by-step approach of Royal Recorders, with sequential presentation of new notes and musical elements, promotes rapid achievement and improvement. Students are excited to play and love celebrating their success with each new song.

Teaching Strategies and Lesson Plans
The teacher guide is like having a personal mentor

30 pages of suggestions and teaching strategies for every step in the recorder teaching process.
Detailed foundational lesson plans give the teacher the tools they need to provide solid instruction for beginner recorder players.
Specific "prepare and practice activities" are provided for new elements as they are introduced in each Knight level.
See the Teacher Guide Table of Contents here

Composing hints and teaching strategies

Teachers are supported as they lead students through composing activities.
Guidelines and composing strategies aid the teacher as they encourage students to use what they know to create their own compositions. This is an empowering exercise for young musicians.

The Teacher Guide has 176 pages packed with support for the teacher:

Teaching strategies
Composing hints and strategies
Classroom management tips
Foundational lesson plans
Activities to prepare and practice new elements appearing in the song challenges
Printable certificates
Incentives (class castles, Knight certificates)
Student tracking charts
Printable student pages (certificates, note-naming sheets, etc.)
Fingering charts
All student pages are included in the Teacher Guide for easy reference

Print Copy of the Teacher Guide is available on Amazon

Printed Copies of Royal Recorders Books

Print Copies (in North America) - use this order form

Print copies are also available on Amazon (world wide).

Get Your Student Book 1 Student Book 2 Teacher Guide

Go to Donna's Amazon Author Page to see more of Donna's books.

Accompaniment Tracks

MP3 accompaniment tracks are central to the delivery of the Royal Recorders program.

- Accompaniments (in a variety of styles) add excitement to the foundational, simple 2-note songs. See student recorder playing videos below.

- Accompaniments provide support for more difficult songs

- Each song has two accompaniment tracks; a slower practice speed track and a faster speed accompaniment track for performances.

Permission is given to download MP3s in the best format for you AND your students (phones, computers, Google Classroom, etc.). Students are encouraged to use these tracks outside of class time as well.

Tutorial Videos

Tutorial Videos

Enjoy 63 tutorial videos that have been created to support each song in the Royal Recorders teaching method. These videos may be used for student support in a variety of teaching settings (homeschool, elementary music class, private studio, etc.). These videos are posted on an unlisted YouTube playlist with purchasers having access via the private link provided.

Choose option "9. Tutorial Videos" from the Royal Recorders Product Options above to access all 63 Royal Recorders Tutorial Videos.

Student Incentives

Student Incentives

Use these student incentives (Class Castles and Knight Certificates) to motivate and support students as they work toward achieving their Royal Recorders playing goals.

Choose option "10. Student Incentives" from the Royal Recorders Product Options above to access all student incentives information.

Composer's Notes

Royal recorders

For a long time, I taught recorder by rote. My students learned the mechanics of how to play and letter names were used to “notate” simple quarter and half note songs. Students were excited to be able to play songs but they were really learning to do so by rote or by ear. I was job sharing with a teacher who discovered Recorder Karate. The students learned simple songs and for each song they were able to play, they were rewarded with karate belts. They were very proud to have a variety of coloured tassles hanging from their recorders.

This program inspired me to create my own songs and a more comprehensive, foundational series of songs to develop both note reading and mechanical facility with the recorder. Living in Kings county, Nova Scotia made it a natural fit to move into the world of castles and knights. Students were given song challenges with the immediate reward of adding their name to a class castle each time they had mastered a song. Three songs resulted in receiving the designation of a knight, with different colours for each level. They received a certificate and a flag (tassle) for their recorder. With three songs for every level, now the students learned more songs with each new note and their skill level deepened and became much more internalized.

Students were excited to see all the names that were being added to the class castles. In order to achieve the right to add their names, testing of songs was required. Students knew that they really had to play the song correctly in order to pass the song challenge. Students started asking peers for help outside of class time. Outside on the playground, the sound of recorders could be heard at every recess and noontime break. Students were asking their friends to help them learn songs they had heard in higher levels, but that we had not started in class. Clandestine peer-to-peer teaching was taking place and the students thought they were getting away with something. I was delighted. They were taking charge of their own learning and they wanted MORE songs!

I usually begin recorders in grade 4 and finish with them in grade 5. My students were excited about the songs they were playing and when they learned all the songs I thought we could cover in two years, they were still asking for more. I think I expanded the number of knight levels and the difficulty of the pieces three times before I arrived at the final iteration of Royal Recorders as it is today. When I had grade 6 students added to my teaching responsibilities the students were delighted to have the opportunity to play recorders for another year. We played duets, we added alto recorders, we had students learn O Canada in a three part arrangement and they were invited to play for the annual teacher’s retirement banquet. That was a real honour, and even more amazing since most people think recorders are only good for playing Hot Cross Buns and that they sound terrible. My group of top grade 6s did an amazing job and the audience was blown away. What a great success story!

There are many, many recorder stories I could tell, but I will close with two more. Firstly, My students loved playing with the accompaniment tracks. They make even simple two-note songs sound great and it is motivating to play when it sounds good. I knew this was going to be a hit when we played the song “He B G Bees” and as the final notes of the accompaniment faded away, a student asked, “Can we play it again?” Now THAT is music to the music teacher’s ear!

As the program developed and more and more students wanted to play song challenge tests, it became clear that I couldn’t keep up with testing individual students at recess and noon. There were just too many kids ready and anxious to play and not enough time to hear them all. We came up with the plan that students could submit a playing test via video. The beauty of this system was that I could listen to playing tests at home (with my feet up and sitting by the fire), I could listen to a test more than once if needed, I had time to give productive feedback, and students were taking time at home to prepare their video tests. Their families heard them practicing and helped with the videos and therefore became involved in the music development of the students. Siblings, parents and grandparents were pressed into service as camera assistants and they also weighed in on whether or not they thought the song was ready to present. I know that students did many video takes before settling on the one they would submit (that is called practicing!) and they were very proud to submit their videos. One day I got an email from a mom who was anxiously awaiting the results from a playing test that had been submitted. She emailed me to ask about the results of the song challenge. She just couldn’t wait until the end of the school day to hear if “they” had passed. When kids are supported at home and they know that what they are doing has worth, it is truly inspiring to see what can be accomplished.

I love teaching recorder. I love seeing the kids being excited when they can play fast songs, beautiful songs, tricky songs and to play them well. I love seeing them so motivated to play and learn and to add to their knowledge. What a great gift that is. They make my castle an exciting place to be!

Note-Naming Worksheets

Note-naming Worksheets (challenges) are designed as a 1-2 minute speed activity for the beginning or end of music class. The challenge of beating your own best score keeps things fun (sort of!) and the briefness of the activity keeps students from feeling frustrated when they are impatient to get to the recorder playing part of music class. Note-naming challenges are included in Student Book 1 and Student Book 2. Encourage students to do their challenges at home for even quicker improvement. Extra printable note-naming worksheets / challenges (student practice pages) are available here.

Recorder Fingering Charts

Fingering charts are included in Student Book 1 and 2 as well as the Teacher Guide. However, sometimes an extra copy comes in handy. Check out the free downloadable fingering chart here.

There is also information to help teachers and students determine if they are using an English/Baroque recorder or a German recorder. This information is important because the high and low F and F# fingerings are played differently on each of these recorders.

Find information about English/Baroque recorder or German recorders here.

About Your Recorder

There are two types of recorders: English/Baroque or German. The hole sizes vary between these two recorder types and that affects which fingerings are used for certain notes (specifically F and F#).

For information about how to identify which recorder you are using, go here.

Information about ordering recorders, what brand to choose, and how to care for your recorder is available as a PDF download here.

Performance Videos

Check out some of the Royal Recorders Knights / student recorder playing performances below.

You Are Invited

When you have enjoyed seeing the videos and learning about the Royal Recorders Program - please drop by again and leave a Review on this page. Thanks!

Please send us your performance videos - we might be able to post them on this page!

Sample

Tutorial Videos – enjoy 63 tutorial videos that have been created to support each song in the Royal Recorders teaching method. Scroll up to Royal Recorders Product Options to access all tutorial videos (includes one for each song) in the program

Enjoy these Royal Recorders playing videos!

Watch these video samples of students (Royal Recorders Knights) (or Donna) playing each song in the Royal Recorders program with the performance-speed accompaniment tracks.

The printed music is included in the videos so you can have fun playing along. Enjoy!

Student Book 1

White Knight (level one)

Yellow Knight (level 2)

Orange Knight (level 3)

Green Knight (level 4)

Purple Knight (level 5)

Turquoise Knight (level 6)

Blue Knight (level 7)

Student Book 2

Red Knight (level 8)

Pink Knight (level 9)

Brown Knight (level 10)

Black Knight (level 11)

Silver Knight (level 12)

Gold Knight (level 13)

Bonus - Super Knight

Send us your videos of Royal Recorders performances and perhaps we can post them here.

The post Royal Recorders appeared first on Donna & Andy.

Winter Concert Songs for Children – Vol. 1 – Grades K-1 (ages 5-7)

Andy Duinker — Fri, 06 Mar 2026 19:31:12 +0000

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Winter Concert Songs - Vol. 1

Grades K-1 (ages 5-7)

by Donna Rhodenizer

Composer - music and lyrics details

Music and lyrics - Donna Rhodenizer

Five Little Snowflakes / Five Shiny Stars
Jiggle Wiggle Freeze!
See My Little Candle / See the Snowflakes Falling

Traditional music - Donna Rhodenizer lyrics

Winter A to Z

Traditional words and music - arrangement Donna Rhodenizer

Jingle Bells Scarf Activity

Option - purchase songs separately

Print copies Available on Amazon

Print copies are available on Amazon.

Go to Donna's Amazon Author Page to purchase your print copy.

Also, click the "Follow" button to get notified when additional new books become available.

Teaching Tips

In this book, Donna explores topics that must be considered by music teachers planning concerts for singers in Kindergarten – grade 1, ages 5-7

Factors to keep in mind when choosing music
Ways to keep a concert program interesting without over burdening young children with excessive amounts of lyrics
Choosing Repertoire
Dealing with small voices in large performance spaces
Non-singers

Composer's Notes

Winter Concert Songs for Children - Vol.1 - Grades K-1 (age 5-7)

Each song in this collection has its own story of how it came to be written and when it was first used. Overall, this collection is a result of many years of presenting concert programs with my elementary school students. I LOVE planning concerts that are fun for the children to sing and enjoyable for family and friends who attend the performance. Over the years I have needed songs for my youngest students to sing. By writing my own songs I have ensured that they meet the very specific set of criteria that I feel is required to make them worth singing and that help ensure their success. It was fun to put some of these songs together in a collection that I know will help music teachers with their concert planning process. There is no need to reinvent the wheel! I am happy to share these songs and imagine all the smiling faces as kids sing them and make musical memories of their own.

You Are Invited

When you have enjoyed singing these winter songs with your students - please drop by again and leave a Review on this page. Thanks!

Please send us your performance videos - we might be able to post them on this page!

Winter Concert Songs - Vol. 1 - Grades K-1 (age 5-7)

Five Little Snowflakes

Jiggle Wiggle Freeze

Jingle Bells - scarf activity

See My Little Candle

Winter A to Z

Send us your videos of these Winter Concert Songs and perhaps we can post them here.

The post Winter Concert Songs for Children – Vol. 1 – Grades K-1 (ages 5-7) appeared first on Donna & Andy.

Jingle Bells – Scarf Activity

Andy Duinker — Fri, 23 Jan 2026 21:10:02 +0000

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Jingle Bells - Scarf Activity

by Donna Rhodenizer

Audio & Lyrics

Follow along with the vocal score as you listen to the accompaniment for Jingle Bells.

Teaching Tips

Teaching Tips

Add Scarves and Movement

Scarves are a great addition to this performance. They look great, they are easy for students to handle, and scarves don’t make noise when they are dropped! Scarves are often available as part of regular music classroom or vocal studio “equipment” or the physical education teacher may also have some on hand. An alternative is to use cloth or paper streamers.

Movement and scarf suggestions are included in the download.

ABA form

Use body percussion in the choruses and add scarves to the verses to create visual differences in the A and B sections of the song.

Combine Classes

With kindergarten students or young singers ages 5-7 it is recommended that classes be combined to create a larger group of singers for concert performances. This helps foster confidence (safety in numbers) and even if some students are not comfortable singing, the performance still can be successful. Including singing and physical elements to the song means that both singing and non-singing students are included in the performance. In addition, young voices are not strong at this age and being able to create enough volume to project the sound in a large performing space can be an issue. With more singers, there is a better chance of being heard without asking the children to “sing louder”, something that is to be avoided!

French Language Options

The limited lyrics involved in this performance (partial chorus only) make this song accessible for early French immersion students. A French vocal score is included in the download. In a vocal studio, use the song as a language study, alternating choruses in English and French.

Jingle All the Way!

Include jingle bells in your performance.

Use only a few sets of jingle bells so the jingling doesn’t overpower the singing voices.

Composer's Notes

Jingle Bells - Scarf Activity

I enjoyed using this scarf activity with my students multiple times during my 35 years as an elementary music specialist. It has been a great addition to many concerts when the option of singing a song was totally beyond the ability of my young students. I am excited that it fits in seasonal and non-seasonal concerts, the students love performing it, and audiences love seeing it. Win-win-win!

You're Invited

When you have enjoyed singing this song with your students - please drop by again and leave a Review on this page. Thanks!

Send us your video of Jingle Bells - Scarf Activity and perhaps we can post it here.

The post Jingle Bells – Scarf Activity appeared first on Donna & Andy.

See My Little Candle / See the Snowflakes Falling

Andy Duinker — Tue, 02 Dec 2025 01:49:23 +0000

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See My Little Candle

See the Snowflakes Falling

by Donna Rhodenizer

Audio & Lyrics

Follow along with the lyrics as you listen to the accompaniment with melody guide for See my Little Candle / See the Snowflakes Falling

Teaching Tips

Teaching Tips

Introduce the song

Connect with the students to engage them in the topic of the song. This can be done by asking them questions that relate to the song that also resonate with something in their daily lives.

Expressive singing

Discuss ways to sing expressively.

Sing with a gentle sound
Sing smoothly, connecting the notes and creating legato phrases
Have students move their hand to trace the shape of the rising and falling melody line. Use a fluid and smooth motion – mirroring the legato phrases that are being sung.
Use clear diction to present the story being told

Concert Presentation

Add small, battery-operated candles to create an effective visual element for the performance of See My Little Candle.

Add snowflakes for a visual element for the performance of See the Snowflakes Falling.

Music Elements

Discuss ABA form.

This song has the same lyrics sung in the opening and closing sections of the piece (A sections) and the 8-bar instrumental break creates the B section within the ABA form.

Look around the classroom or vocal studio for ABA patterns such as window, door, window or chair, music stand, chair, etc.

Can students think of other physical examples of ABA form?

Composer's Notes

See my Little Candle / See the Snowflakes Falling

I was thinking about school Christmas concerts. This is not an unusual activity for me, considering my career as an elementary music teacher. What was unusual is the fact that I was doing this thinking six years after I had retired! This thought process was tweaked after a conversation I had with a teaching colleague about their upcoming December concert season. We talked specifically about songs for the “Littles” that are such an important part of every school concert.

The next morning I was lying in bed, enjoying comfy, warm blankets and a bit of cool air coming in from an open window. I started thinking about snow and the first lines of the song came to my mind. The tune arrived at the same time as the lyrics “See the snowflakes falling, drifting down like a comfy blanket covering the ground.” This thought was enough to inspire me to grab a pen and paper (always kept nearby for just an occasion) and I jotted down my idea using solfege and simple rhythm notation. I have used these tools for a LONG time!

When I got up, I started working on crafting the song. I knew I wanted it to be simple and easy for children to sing who were new to school and perhaps heading into their first school concert. I created four lines of poetry that worked for me, adjusted the melody and, within a short time, I had a new song.

Andy and I had been working on updating a resource list of winter and Christmas songs I have written. Many schools have gone to winter concerts and my song list reflects this shift with many of my songs written on the topic of snow. I thought that my gentle melody was also quite suited to a candle theme and that might be a nice change from snow, so I set about writing alternate candle lyrics. It was a marketing decision to publish this song as “See My Little Candle” with the alternate lyrics being “See the Snowflakes Falling”. The candle title might help the song stick out more rather than it getting lost in a blizzard of snow songs, and either version works for Littles to sing.

This song has a simple melody, but it has a nice feel to it. I think the plaintive, innocent quality of the song makes it a lovely addition to repertoire for young singers – whether they are singing about candles or snow. It makes me (almost) wish I had a school Christmas concert to plan and present with a bunch of kids!

You're Invited

When you have enjoyed singing this song with your students - please drop by again and leave a Review on this page. Thanks!

Send us your video of See My Little Candle or See the Snowflakes Falling

and perhaps we can post it here.

The post See My Little Candle / See the Snowflakes Falling appeared first on Donna & Andy.

Regardez la neige

Andy Duinker — Wed, 19 Nov 2025 17:35:44 +0000

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Regardez la neige

by Donna Rhodenizer

Audio & Lyrics

Follow along with the lyrics as you listen to the accompaniment with melody guide for Regardez la neige.

Teaching Tips

The PDF download includes these teaching tips with more details.

Introduce the song

Initiate a discussion about snow.

Ask the students questions about snow to connect the song content with familiar experiences. Be prepared for lots of stories!

French language/vocabulary exploration

Identify and explain any unfamiliar vocabulary.

The teacher should model the pronunciation by singing the song and adding actions to assist students’ understanding of what the story is about.

Sing the song several times and have students listen for specific words. Asking them to raise their hand every time they hear a specific word helps them focus and listen carefully.

Add actions

Add actions to the words “qui tombe, tombe, tombe.”

Actions help students remember the lyrics and keep them “on track.”

Reviewing the song

Help students practice the words by including activities that can seem like a game.

Can any student remember the first words of the song?
Show the students the actions for one of the verses and ask if anyone knows which verse of the song is being presented.
Sing the song for the students and stop in specific spots and ask the students to provide the next word in the song.

Concert performance

Include Regardez la neige in a concert or recital.

Add a few costume items such as a scarf or mittens.

Include the actions learned in the music classroom or vocal studio to help young singers remember the lyrics for each verse. Actions also add visual interest for the audience.

Composer's Notes

Regardez la neige

I taught elementary music in a school that offered a French immersion program in addition to the regular English classes. Half of the classes I taught (from Kindergarten to grade 6) were French immersion students. I conducted my classes in English, but for concerts I would always try to include songs that were either a mix of French and English or totally in French. It was always a challenge to find French songs that were musically at the right level for my students and without overly difficult lyrics for both them and for me. We had a few songs that worked for the older students but finding songs for young singers who are also in the first year of French immersion was a tough task.

I started writing simple French songs for my Kindergarten to grade 2 students. It was a pretty good fit with their French skills and vocabulary being similar to mine. We both needed lots of repetitious words and easy vocabulary. Simple actions helped to keep us on track. When I started publishing my songs, I would get requests from anglophone music teachers with teaching assignments requiring French songs for immersion students for concert performances. I was glad to share my simple French songs with my teaching colleagues.

When I retired, I thought I had pretty much finished writing French songs. With all the song ideas I had rolling around in my head and written down in notebooks, I didn’t need to look for any new challenges by writing in French. However, as often happens, someone asked me for a simple French song and she had already sung ALL of the French songs I had to offer. So with that request and a reason to write, I pulled out a piece of paper and started jotting down some simple ideas. The result was Regardez la neige. It was a bit strange for me to write this without trying it out in my own classroom, but the teacher for whom I wrote it and other teaching colleagues have helped with the “workshopping” to hone this song so it could take its place in school concerts and vocal studios using French repertoire for their young singers.

You Are Invited

You are invited to send us your performance of Regardez la neige.

Maybe your video will be featured here on this page.

When you have enjoyed practicing and performing this song with your students - please drop by again and leave a review on this page. Thanks!

Send us your video of Regardez la neige and perhaps we can post it here.

The post Regardez la neige appeared first on Donna & Andy.

Fluffy Flakes of Snow

Andy Duinker — Wed, 22 Oct 2025 12:16:43 +0000

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Fluffy Flakes of Snow

by Donna Rhodenizer

Audio & Lyrics

Follow along with the lyrics as you listen to the accompaniment with melody guide for Fluffy Flakes of Snow.

Teaching Tips

Teaching Tips

Introduce the song

Have a discussion about activities the students enjoy doing when it snows.

Has anyone ever tried to catch a snowflake on their tongue?

Do they get together with friends to enjoy outdoor activities?

Expressive singing

This song tells a story about enjoying a snowy day with friends. Use dynamics, facial expression and clear diction to sing expressively as you present this story to your audience.

Syncopation

The melody has a syncopated feel to it because many phrases begin with a rest on beat one. Beat one is usually a stronger sounding beat and the rest shifts the accent to land on beat two. This shifting of the accent creates a syncopated feeling.

To practice this syncopation, clap or stamp on beat one to create the space of the rest. Once you are comfortable with how it feels to start the phrases on beat two, leave out the clap or stamp.

Score study

Study the score to find the following elements and discuss how they work in the song:

Swing the eighths
Rests on beat one
First and second endings
Accidentals
Additional Score Markings

The PDF download includes information about these musical elements.

Composer's Notes

Fluffy Flakes of Snow

I was driving to my mom’s house, an hour away from where I live. I was thinking it would be nice to have a new winter song for the lower elementary grades to sing so I was trying to think of a simple song as I was driving. Being in a vehicle with the monotony of the tire noise is a good time to block out the world and think about song ideas. However, this particular day everything I tried out for ideas seemed too contrived or too uninteresting and I arrived at my destination without any new songs to show for my efforts.

The next morning when I got up, I was humming to myself and this perky little tune was what “came out”. I grabbed paper and a pen and jotted down the tune and the words for the first line, “Lots of flakes of snow are falling.” I discussed my new song with Andy (as I often do) and we bounced a few lyric ideas around to find alternate words to describe the flakes of snow. We settled on “fluffy flakes” because the alliterations are such fun to sing! Although my original intention was a song for the youngest elementary students, this song is really a grade 2-3 level or higher, but when a song is being delivered by the muse, one does not quibble about such details!

I added the second “verse” lyrics as we were editing the score to be uploaded and published. I was wondering how to explain to the singers the reasoning behind singing exactly the same words twice, so by adding one small change, I had a reason for that repeat. It won’t be hard for the singers to learn one additional line and they will have a two-verse song.

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Sing a Song of Peace

Andy Duinker — Mon, 20 Oct 2025 18:32:05 +0000

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Sing a Song of Peace

by Donna Rhodenizer

Audio & Lyrics

Follow along with the lyrics as you listen to the accompaniment with melody guide for Sing a Song of Peace.

Teaching Tips

Expressive singing

Sing expressively to present the theme of peace and the reflective mood of the song.

Discuss dynamics, facial expression, legato phrases and treatment of interval jumps that must be sung accurately without sticking out.

Score Study

Sing a Song of Peace is written in ABA form. Explore the score to determine where each section begins and ends.
Sing the melody line and/or the descant harmony line using solfege syllables and/or hand signs.
Discuss where the phrases begin and end. While singing, move one hand in an arc to represent the shape of the phrase that is being sung.

Adding harmony

There are two opportunities to add harmony, using instruments (handbells, hand chimes or Orff instruments such as metallophones) or by singing.

After the students are comfortable with the melody of the B Section, introduce the descant line by playing the line on the piano while all singers are singing the melody in unison.

Choose a few students to play or to sing the descant line. Keep it light and complimentary to the melody without being overpowering.

Composer's Notes

Sing a Song of Peace

I got an email from Joanna, my former job-share partner. In her current school she was starting a Grade 4-5 choir. The first rehearsal was approaching, and she wanted something fun and exciting to pique the interest of the students and get them enthused to join the choir. She also needed something for them to sing for Remembrance Day with a short window to prepare something. I was inspired to sit at the piano and write her a simple song with a focus on peace. I knew she had handchimes at her school and I also know that kids love to play them. What better way to inspire kids to join the choir than to give them a chance to get their hands on the handchimes. I also Included a short section with a simple descending harmony line for a nice taste of harmony that the students would easily be able to sing and it would come together and sound good quickly.

By the time I met with Joanna the next day, I had a song written with separate vocal parts and handbell scores ready for copying and distribution to her choir singers. It was fun to be writing for young elementary choir singers. Having a specific theme also helps narrow the creative process from endless possibilities to something far more manageable. After the initial writing for the elementary singers, I couldn’t resist creating an arrangement for choirs who are able to manage more two-part singing (and eliminating the niche of having handbells or handchimes). Once again, a simple song will end up with several arrangement variations so that music teachers and choir directors have options. It makes their musical lives less complicated and my composing life more complicated, but creating music is still a terrific way to pass the time!

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Hello Ghostie!

Andy Duinker — Thu, 16 Oct 2025 17:37:32 +0000

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Hello Ghostie!

by Donna Rhodenizer

Audio & Lyrics

Follow along with the lyrics as you listen to the accompaniment with melody guide for Hello Ghostie!.

Art Song style

Teaching Tips

Teaching Tips

Style study

Hello Ghostie! is written with two different accompaniment styles.

Sea Shanty style

The song has a jaunty, rollicking feel with heavy chordal accompaniment.

How will the story be presented in this style?

Art Song Style

Hello Ghostie! is also provided with an accompaniment written in an art song style.

How will the song be sung differently within this style?

Singers should sing expressively in both accompaniment styles.

Expressive singing

Dramatic interpretation and expressive singing can be incorporated in the responses to the ghost at the door.

Sing “Hello Ghostie” different ways:

bravely
anxiously
curiously

When singing repeated lyrics “Hello Ghostie. How are you today?” each chorus can be sung with the same emotional response, or singers may choose to sing each response with a different emotion each time.

See the “Singer’s Notes” included with the PDF download. The composer, Donna Rhodenizer, has written instructions to the singers who will be interpreting the song.

Add percussion

The purpose of a sea shanty was to have a song that could be sung while doing tasks such as pulling rigging ropes when sailors would need to work together. Singing songs with a strong and steady beat provided the reference for all the sailors to pull at the same time, therefore being most efficient and productive.

Add percussion to Hello Ghostie! The PDF download includes specific percussion suggestions to try. Singers also are invited to create a percussion part to include in the performance.

Composer's Notes

Hello Ghostie!

Halloween songs can be a great teaching tool. They often include minor tonalities, lots of “oohs” and other sound effects, and topics that are mysterious and fun to sing. These songs tie in with the anticipation children experience leading up to Halloween festivities at the end of October. However, in my music classroom some students didn’t partake in any Halloween observances. Ghosts in particular are a sticky subject. Are they real? Are they just stories? Some kids believe strongly, other do not and others are not sure. Where does my responsibility lie when students look to me for opinions?

Hello Ghostie! was written as a way of giving young singers some tools for dealing with ghosts in general. Not to present ghosts as scary, horror-movie kind of creatures, but acting like regular people by walking up to a house and knocking on the door to have a visit. How would you react if you heard a knock at the door and when you opened it, a ghost was standing there? There are certainly a variety of possible reactions and I explored both afraid and brave responses for different verses. This makes for an interesting expressive singing exercise for singers. How will they sing a chorus with the same words but conveying different emotions? Will they sing each repetition of “Hello Ghostie” with changing emotions or keep it all the same within each chorus? I also composed the ending with room for interpretation. The singer must decide if they finish with brave confidence or maybe after all their bravado, a few doubts are still lingering and they aren’t quite sure of the outcome.

Composing the accompaniment for Hello Ghostie! was an interesting journey. Sea shanty songs are popular with young singers (and older ones too!) and this song fit that style very well. That is the style I wanted for my song. However, when I first framed out the accompaniment, I wrote out simple chords, basically to get the chord structure. This was a more sedate musical style and it also works well with the song. That meant I had to decide – but then again, maybe not! I decided to provide both accompaniment versions so singers can decide which accompaniment suits their needs. It also creates a neat learning experience to compare two styles of accompaniment that make a song sound different, even though the melody and words are exactly the same for both versions. I am always interested in encouraging musical exploration and creativity.

I like writing songs where the singer has the opportunity to make musical decisions about their performance – which should happen every time someone sings, but often does not. It is one of the most difficult things I do as a composer to commit myself to one specific interpretation of a song. There are so many options and there are reasons to include or omit different dynamics in a song. In the teaching tips for this song, I included specific notes written to the singer instructing them to make the song their own by adding the dynamics they think work best, even if that means ignoring what I wrote in the score. It will be interesting to experience a variety of performances of this song as it develops its own personality in the singing world.

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4 Turkey Songs and Games

Andy Duinker — Wed, 08 Oct 2025 16:07:34 +0000

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4 Turkey Songs and Games

arranged by Donna Rhodenizer

Audio & Lyrics

The download for 4 Turkey Songs and Games includes the vocal scores and audio accompaniment tracks as well. However, I'm sorry you don't have any sample tracks to listen to here at this time.

Teacher Tips

Why are singing games important?

Singing games are a foundational part of elementary music classroom activities. Singing games have a variety of purposes:

Provide the opportunity for students to learn through play-based learning. This is one of their primary, inherent learning methods.
Prepare music elements that will be identified and presented in later classes (sometimes in the next school year!).
Provide examples of music elements to be identified and labelled.
Review and practice music elements that have been labelled.
Provide students the opportunity to make physical responses, assisting in internalizing the concepts in the song.
Provide physical movement “brain breaks” within a lesson.

A well-planned music class will include one or two singing games. Use a singing game early in the lesson to prepare concepts. Close to the end of a class, a singing game can be used to review something the students already know and to practice those elements in a fun, musical context. In a music class that requires concentration and focus, a fun singing game is a great way for students to relax.

Singing games are best used unaccompanied. This allows students to hear vocal modelling from the teacher without obscuring pitches with an instrument. Singing games include the expectation that students are singing. Unaccompanied singing allows them to hear their own voices as they learn to make vocal changes and match pitch/sing in tune with others.

Composer's Notes

4 Turkey Songs and Games

I didn’t compose these four turkey songs but as soon as I discovered them, they became favourite seasonal songs I enjoyed sharing with my students leading up to Thanksgiving. Although it is great to be a composer and write what I want to sing with my students, finding great songs written by someone else is also a great way to go. Each turkey song in my collection serves a different purpose in the music classroom: a sing-along song, a simple finger play, an action song, and a game that is always a great end-of-class activity.

I grew up on a family farm, but my farming background did not include any experience with turkeys. My visit to a local farm was very informative and the turkeys had a few tricks to play on me! I am glad my students are not inclined to wander off when I am explaining a game. I am also happy that my students are MUCH better at participating in the turkey songs that I use in my music classroom.

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It’s Christmas Time + It’s Winter Time

Andy Duinker — Mon, 08 Sep 2025 16:29:30 +0000

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It's Christmas Time

It's Winter Time

by Donna Rhodenizer

Audio & Lyrics

Follow along with the lyrics as you listen to the accompaniment with melody guide for It's Christmas Time & It's Winter Time.

Part of a song collection

It's Christmas Time is one of 11 songs from the award-winning song collection It's Christmas Time. Donna Rhodenizer has written these songs in a variety of styles and skill levels in both French and English for singers age 5-12+.

Learn more about this fun collection for elementary-aged kids, choirs and solo vocal students. The 146-page book provides the vocal score, full score and separate lyrics pages for 11 songs. Enjoy!

Please note: audio tracks for the e-book version are sold separately. Print copies of the book include CD (24 tracks)

It's Christmas Time song collection is also available on Amazon.

Stream and purchase audio tracks

Stream or Purchase the It's Christmas Time tracks from many streaming sites including: Spotify, Apple Music, iTunes, Amazon, Pandora, Deezer.

Donna & Andy have yet to record It's Winter Time.

The It's Christmas Time CD and tracks (Donna & Andy performance and instrumental tracks - 22) are available for download or physical CD on this website.

Teaching Tips

Use this song to work on expressive singing.
Discuss the necessity of clear diction to present the text in the rapidly moving eighth note sections.
In a choral setting, use staggered breathing to accommodate the long, uninterrupted phrases indicated in the music.
Solo singers need to plan breathing spots that will satisfy the need to breathe while accommodating the flow of the phrases. Add breath marks to the score to assist with consistent practice.
When working on the long phrases, have singers move their hand in an arc to show the shape of the phrases.
Decide what to do during the instrumental verse. In addition to the option of including a solo instrument, this section can include gentle movement using scarves or humming the melody line.
If using an accompanist (rather than the recorded instrumental track) it is also acceptable to skip the instrumental section from rehearsal letter D – rehearsal letter E.

Colouring page - download

Download (pdf), print and have fun colouring this page while you listen to the song It's Christmas Time.

See more free colouring pages below

Composer's Notes

It's Christmas Time

I have been inspired to write many of my compositions to fill repertoire needs for my students throughout the school year. I wrote this song for one of the many, many school Christmas concerts I planned and presented with my elementary school students. It is a lot of work to put on a school concert with over 500 students, but it was one of my favourite things to do during my 35-year career as a music education specialist. The grade 4-5 elementary choir was the group that took on this challenging piece of music with its plethora of lyrics and quickly moving eighth note passages that required extra attention to diction. I am pleased to recall that they did a super job at the concert. As the years progressed, Christmas concerts often included more winter-themed songs to accommodate students who didn’t celebrate Christmas. New lyrics were created and “It’s Winter Time” found its way into concert rotation. I am always pleased to offer my teaching colleagues options so that my music is as versatile and useful as possible. Giving teachers the option to choose either Christmas or winter lyrics is one way to offer this versatility.

In 2006, when recording our Donna & Andy CD: It’s Christmas Time, my son Benjamin and Andy’s niece, Oriana played French horns for this song. These two young players did such a super job adding that magical horn sound to our recording. It has a special place in my heart as one of my favourite Christmas songs.

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Free - download coloring pages for lots of Christmas Fun!

Free Download - 3 Christmas Coloring Pages

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